UNCATEGORIZED

This category includes all interviews in the SOUNDLAB project.

Iannis XENAKIS

Episode 56: Interview with Mâkhi XENAKIS and James HARLEY on the 100th anniversary of Iannis XENAKIS’ birth.   Produced with support from the Research Fund, College of Arts, University of Guelph.

TRUE STORIES 3

Episode 51: TRUE STORIES 3: with Mari KIMURA, Kathinka PASVEER, John KORSRUD, and Marilyn NONKEN. 

TRUE STORIES 2

Episode 50: TRUE STORIES: with Kate MOORE, Michael SPENCER, Kurt GOTTSCHALK, Anna PIDGORNA, Bob PRITCHARD, Lynn KUO, Allison BALCETIS, Scott SMALLWOOD, Jen MESCH. 

TRUE STORIES 1

Episode 49: TRUE STORIES: with John KORSRUD, Sally JAEGER, David JAEGER, Anne MIDGETTE, Rolf HIND, Alex MINCEK, Erin GEE, and Beverley JOHNSTON.

Gabriel DHARMOO

Episode 47: Interview with Gabriel DHARMOO

Discussion of DHARMOO’’s piece Anthropologies Imaginaires.

Samuel ANDREYEV

Episode 46: Interview with Samuel ANDREYEV

Discussion of ANDREYEV’s piece Iridescent Notation, poet Tom RAWORTH, comics, and more.

Linda BOUCHARD

Episode 45: Interview with Linda BOUCHARD

Discussion of Linda BOUCHARD’s pieces Murderous Little World, Identity Theft, Flocking, and her research project Live Structures.

Roger REYNOLDS

Episode 44: Interview with Roger REYNOLDS

In the context of a discussion of his pieces Not Forgotten, and CALLING…still, Roger REYNOLDS talks about poet John Ashbery, composers Iannis Xenakis, Toru Takemitsu, Elliott Carter, Beethoven, quotation, and the o’o bird.

Juliet PALMER

Episode 43: Interview with Juliet PALMER

In this episode, we begin with discussion of Juliet PALMER’s new piece MORSE, written for mezzo-soprano and electric guitar quartet. The text is by Iranian poet Simin Behbahani. This leads into conversation about how the text was set in the music, and connection with the 13th Century poem Bani Adam. Palmer also discusses her work with Urbanvessel, and composers who continue to provide inspiration in her creative journey. 

Ken UENO

Episode 41: Interview with Ken UENO

On the line from Berkeley, California, Ken talks on many different subjects, including the tattoo on his arm, his early childhood vocalizations, Jimi Hendrix, the megaphone, mechanical reproduction, and person-specific music. With musical examples from his pieces Future Lilacs, On a Sufficient Condition for the Existence of Most Specific Hypothesis, Hapax Legomanon, Fanfares for the Apocalypse, and Shiroi Ishi.